9 Women in Comedy to Watch for Women's History Month
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
Outpost
The year is 1991. A lone soldier is guarding a tower on the edge of the Soviet Union when he receives word that the union has collapsed and that he can therefore return home. However, he must first destroy all classified material in the tower. But not all secrets can be hidden away.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
The year is 1991. A lone soldier is guarding a tower on the edge of the Soviet Union when he receives word that the union has collapsed and that he can therefore return home. However, he must first destroy all classified material in the tower. But not all secrets can be hidden away.
Rating:
Genre:
Written By:Esben Halfdan Blaakilde, Andreas Schwartz, Magnus Balle
In Theaters:
Box Office:
Runtime:
Studio:
Cast
Articles You May Like
'Life & Beth' and 'Sort Of' - Two New Series Bravely Lose The Labels
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
Incluvie News - YouTube Overtakes Netflix with Teen Viewers
YouTube surpasses Netflix but there is more to the story.
Why You Should Know About 'Welcome to Chechnya', One of 2020's Most Thrilling Films
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
We Are Pat (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
ALTER Horror Short Film - "La Noria"
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.