‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

FRONTLINE spent months on the ground in West Africa, tracing the Ebola outbreak’s path through Guinea, Sierra Leone and Liberia in 2014 and 2015 and uncovering the hidden story of what happened before the world started paying attention. The documentary shared firsthand accounts from survivors and victims’ family members — from the forest region of Guinea to the bustling Liberian capital of Monrovia — including the father of a one-year-old Guinean child who was believed to be the first person to die in the outbreak.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Crazy World gives fans of Wakaliwood movies what they want by playing up the comedy and action just like their movies before.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)