Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Out of the Night poster

Out of the Night (1918)

Rosalie Lane's sister dies from overwork at the Treadwell mills. Asking the company for enough money to bury her sister she is denied leading to desperate measures on her part. After many struggles she can save herself from a life of squalor and find happiness.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Rosalie Lane's sister dies from overwork at the Treadwell mills. Asking the company for enough money to bury her sister she is denied leading to desperate measures on her part. After many struggles she can save herself from a life of squalor and find happiness.

Rating:
Genre:Drama
Directed By:James Kirkwood
Written By:Bennet Musson
In Theaters:8/11/1918
Box Office:

Runtime:50 minutes
Studio:Frank A. Keeney Pictures Corporation

Articles You May Like


Honey Don’t!: A Messy Queer but Mischievous Comedy

Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.

Nilufer Ozmekik

"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones