“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.

Tarek Lakhrissi’s futuristic narrative Out of the Blue takes place at a radical moment in time, when a politically conservative era is suddenly coming to an end. Lakhrissi avoids traditional apocalyptic narratives to meditate instead on the nature of transition itself. In the final scene, the film’s central character delivers a thoughtful speech exploring ideas of freedom and liberty, self-determination and queer futurity.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
A 2020 Japanese anime movie that focuses on a high school girl who is desperately in love with her secret crush.
Why is 'The Green Knight' so white? People of color are so removed from the origins of 13th century art. We’re looking toward the future, and part of that should be updating aspects of our stories to mirror those evolutions.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.