Examines the role of art in WWII; featuring Henry Moore's drawings of London Underground during bombing raids, Paul Nash's paintings of aircraft dumps, Stanley Spencer's shipbuilding panels, Evelyn Dunbar's land girls, alongside many amateur artists too.
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
