Our Part of Buenos Aires 

Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.

The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.

A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.

By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

This movie will always resonate with queer people, for as long as queer people exist.

America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.