Takeaways on Cutaways
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.

In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
Wolverine carries Deadpool - literally and figuratively
Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?
This animated movie is based on the migration of birds from the north to the south.