Rwanda, 1973. In the prestigious catholic institute 'Notre-Dame du Nil', perched on a hill, young Rwandan girls study to become the elite of the country. In the process of graduating, they share the same dormitory, the same dreams, the same problems of teenage girls. But in every corner of the country as well as in the school there are deep antagonisms that will forever change the destiny of these young girls and the whole country.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
