The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Toni, an attractive Catholic priest, impregnates several women in the Swiss countryside of the 1950s until the bishop revokes his priesthood. The six children only meet after Toni's funeral. They talk about their fatherless youth, their brave mothers and the fatal silence they now want to break.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
Slytherin is painted negatively for the traits the members of this house embody. Although Slytherin students are ambitious, cunning, and determined, they are more.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.