Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A woman becomes disenchanted with life after years of studying for an important exam. One lonely evening, she encounters a beautiful, disciplined woman and becomes fascinated with emulating her lifestyle.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
A short hybrid film featuring everyone's favorite Disney characters.
A homeless girl faces depression and uncertainty during the holidays.