We Are Going to Sing 2 the Redshore City
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.

Escaping to the Scottish countryside for a weekend of sex and drugs seemed a good idea to Kerry and her new boyfriend Paul. Lucy, Simon and James want to get in on the fun so they all head off to Paul's remote country hideaway. When a tragic accident leaves a girl dead, the friends, after a nights drinking, decide to play the ouija board. A terrifying decision they may not live to regret.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.
Prajdnik Awasthi’s film uses a mix of metaphor and more grounded details to tell the story of childhood sexual abuse that caused the narrator to close himself off from his father.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
The second film takes us on Peter's journey to be understood.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.