Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

A filmmaker, reeling from the death of her famous father, falls down the rabbit hole of a charismatic homeless man who becomes the subject of her latest documentary and her new love interest.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.