Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

The evil Iago pretends to be friend of Othello in order to manipulate him to serve his own end in the film version of this Shakespeare classic.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
It’s almost the end of the first month of 2021, and just over a week since the U.S. saw a new president take office. In light of the occasion, some of us highlighted our favorite political films below!
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.