“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

Angelo "Snaps" Provolone made his dying father a promise on his deathbed: he would leave the world of crime and become an honest businessman. Despite having no experience in making money in a legal fashion, Snaps sets about to keep his promise.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
In episode 4 of 'Hawkeye,' things are getting real, from a mystery surrounding a Rolex watch to hints at a certain "big guy" to the reveal of [SPOILER].
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
A movie that brings Indian culture with classic Bollywood themes and electronic dance music.