‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Alby, who is married to the girl he loves, Sara, against the will of both their families. While the couple leads a romantic life in a residential complex in Kochi, Alby, who is a passionate and hardworking filmmaker, begins to face financial liabilities. Being stressed, he soon gets involved in a thoughtless act and finds himself in an unpredictable situation. Alby's life then begins to go beyond his control.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.