Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

After killing his brother, Prince Yamato is banished from his father's kingdom until he can bring his dangerous powers under control. On his journey, he meets and joins with the magical priestess Oto, and together they go to fight against an evil god that has been ravaging the Earth in the form of an enormous hydra. Will Yamato ever return home to reclaim his rightful place on the throne?
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.