On a secluded beach at sunset, Gael and Silvio sit by the shore, sharing a quiet conversation. As the light fades, both reveal different but connected fears: Silvio is afraid of the sea, while Gael fears remaining on the shore forever. Through silences and glances, one tries to convince the other to take a step into the unknown. As night falls, the distance between desire and fear begins to grow.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.
