This film presents a spectacular collection of some of the most celebrated and vibrant songstresses of our time. From the unforgettable voice of Dionne Warwick performing 'Walk On By' to the memorable and equally unforgettable Dust Springfield singing 'Love Me Tonight' we bring together sounds for all tastes and every mood. Added to this musical indulgence there is also the visual feast of their performing presence ranging from the seductive Tina Turner (Hot Legs) to the raunchy Chaka Khan (We Can Work It Out) to the relaxing tones of Rita Coolidge (Something About You Baby I Like), you'll find this 18 track production a collection that not only makes it unbeatable entertainment but will also prove an impossibility to miss.
Director
Gladys Knight
Self (archive footage)
Dusty Springfield
Self (archive footage)
Chaka Khan
Self (archive footage)
Dionne Warwick
Self (archive footage)
Tina Turner
Self (archive footage)
Rita Coolidge
Self (archive footage)
Tanya Tucker
Self (archive footage)
Brooke Shields
Self (archive footage)
Susan Anton
Self (archive footage)
Deniece Williams
Self (archive footage)
This is not a slavery story, it is a freedom story. The viewers only see Harriet as a slave for the first few minutes of the film. To me, it felt like watching the origin story of a superhero…which is both good and bad.
A young girl named Copi and her pet dog Xico travel into the mountain when they hear that something's not right.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.