"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Since he was a child, Orpheus has imagined stories about an abandoned villa across the street from his house. A solitary and visionary pianist, during an evening at the Polypus — the club where he plays — he meets Eura’s gaze. An unconditional love blossoms between them, but she’s concealing a secret. Then she disappears. One evening, Orpheus sees her enter a small door on Via Saterna, in front of the villa. He follows her. Before the threshold, he encounters the Green Man, an enigmatic figure who seems to know the mysteries of that passageway. Once through the door, Orpheus enters a visionary afterlife...
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The sparks of a dangerous conspiracy ignite a mystery in this sequel based on the mysteries of Sherlock Holmes.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction