Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Oranje - This Great a Small Village Can Be poster

Oranje - This Great a Small Village Can Be 

In the village of Oranje in Drenthe, which has 150 inhabitants, a reception center for initially 1,400 refugees was established in 2014 by The Hague without consultation. Due to the extensive media attention, the village became a symbol of the fear of asylum seekers. Despite anger over the procedure, Oranje was also willing to help the refugees. Especially the local shop owned by Jan and his family quickly became a welcoming place. When the reception center closed three years later, it left a bigger void than expected. This provides a nuanced view behind the news stories, offering insights into how people react to unexpected situations.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In the village of Oranje in Drenthe, which has 150 inhabitants, a reception center for initially 1,400 refugees was established in 2014 by The Hague without consultation. Due to the extensive media attention, the village became a symbol of the fear of asylum seekers. Despite anger over the procedure, Oranje was also willing to help the refugees. Especially the local shop owned by Jan and his family quickly became a welcoming place. When the reception center closed three years later, it left a bigger void than expected. This provides a nuanced view behind the news stories, offering insights into how people react to unexpected situations.

Rating:
Genre:Documentary
Directed By:Sander Francken
Written By:
In Theaters:
Box Office:

Runtime:96 minutes
Studio:

Articles You May Like


Mississippi Masala: A Romance that Interrogates Racism from Within and Without

Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.

Andrea Kreidler