Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Orange is a witchy old woman. She makes remedies from plants to help the villagers. The silence of her hut and her herb-scented life is disturbed by the owner of the field.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
A lot of us are emotionally impacted by the current pandemic. So, while we’re all stuck here in our homes, it’s great to put on a movie to ease the stress. With that, I made up a small list of some of my favorite feel-good movies.
Personalities clash and tempers fume in a family-run Chicago restaurant
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.