In the attic of my family home, I found the autobiography of my legal-law Waclaw. Waclaw described a secret underground organization that he founded in Lódz during WWII. No one in the family knows about his mysterious life, his memories conflict with his image emerging from the pages of the book. So I am preparing a monodrama to introduce the unbelievable past of Waclaw's to the family. Unfortunately, everything is complicated by my poor memory and chronic diarrhea.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
The trainwreck is hot but tame.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
The live-action remake of the classic Disney film based on a wooden puppet is finally here.
Viola Davis is an EGOT pioneer and trailblazer advocating for diversity and opportunity in Hollywood. See the legendary actresses' rise to critical acclaim.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
