The film opens with a monologue by a year five pupil who goes to primary school in the city of Rishon LeZion, outside Tel Aviv. He addresses the camera and a recent incident that happened in class, which helped his fellow pupils and himself learn how to better treat “new kids and new people.” Thus begins the story of Maya Kajinowski, who arrives at the school as part of the tidal wave of mass Jewish migration to Israel, following the collapse of the Soviet Union in the early ‘90s. Maya struggles to integrate and assimilate, as the native children continue to tease her, relentlessly, for her accent and looks, and flat out refuse to sit next to her. When the bullying and humiliation reach their nastiest peak, after which the children’s treatment of Maya finally starts to change, Maya too turns a corner and goes from the new immigrant and perennial outsider to a student, just like everyone else.
The film is trying to revive DC's former glory, it really is, it just doesn't have everything it needs to get there. Luckily, Black Adam isn't as bad as many internet haters want you to think it is.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
