'Not Okay' Review: A Perfect Companion Piece to ‘Nope’
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.

A young cast celebrates a successful opening only to realize there is a nefarious scheme in the works.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.