The Institute for Public Housing in Naples employs about 100 people. When the office is open to the public, employees receive residents who live in the 40,000 houses managed by the institute. Their task is to find solutions to citizens’ problems and trigger the bureaucratic procedures to solve them. But managing these chaotic lives within rigid legal structures is not an easy task and employees are often forced to resort to a singular art: “bureaucratic compromise”. (Tënk)
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
Although bogged down by a slow pace and moralistic intent, ‘Deadly Garage Sale’ (2022) makes the most of its silly and nonsensical premise.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
This Agni Kai looks cool and is funny as well!
