Top Gun: Maverick is the Perfect Adrenaline-Fueled Sequel to the Original
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.

Maria lives with her 18-year-old sister, Caterina in a small apartment, tutors her at home, lets her out only for dance classes. Yet Maria sees no reason to hide her work as a prostitute from her sister. Men come in and out of the apartment constantly, and Caterina turns up the volume on her music to drown out the sounds from the next room. The film soon reveals that the sisters are in love with each other, a situation that cannot stand, but exactly what prompts the characters' behavior is rarely clear. Soon after Caterina's belated discovery of her heterosexuality, she is invited into the bedroom with Maria and a client.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
Sam Levinson's latest film can't keep up with the excellence of its performances.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.