‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

In central Montana, the Highwood Cattle Roundup has been happening exactly this same way since 1912. As the world changes and modernizes, this proud iconic American culture struggles to preserve its way of life. Through the perspective of an aging father, his two sons, and their extended family of Montana cowboys, Only Roundup Remains provides a rare and intimate glimpse into the disappearing lifestyle of proud generational ranching families, their tradition, hard work, honor, and what might be their final roundup.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
In the LGBTQ+ holiday rom-com wars, 'Single All The Way' may or may not be the “answer” to 'Happiest Season.'
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.