A Lunar Colony and Its 'Crater'
A science fiction movie brings a strong diverse cast and adventure in outer space.

Writer/director Nurit Kedar's film trains a camera on the snipers of the frontline in the Israeli-Palestinian conflict. She goes out on patrol with active units, and interviews marksmen young and old. It can't have been easy to gain the confidence of the Israeli army or the trust of the individuals concerned, but, regrettably, the film isn't particularly illuminating. 'What do you want me to say?' asks one bluff veteran. Shame and defiance rub shoulders. 'I won't be allowed in heaven,' notes one rueful conscript. Occasionally Kedar hits on the madness; the game of it; the sick decorum. They're meant to shoot at the arms and legs of the stone throwers. 'I used to say I was responsible for a lot of legless Palestinians,' proffers a soldier. 'I would never say that now.'
A science fiction movie brings a strong diverse cast and adventure in outer space.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.