Mixtape is a Revival of the '90s Punk Music Style
A throwback to the last months of the 20th century in this comedy film.

Based on a true story about two college wrestlers, T. J. "Teddy" Williams and Art Munson whose battle for the National AAU Wrestling Championship in 1958 resulted in a near fatal accident leaving Williams with a broken neck and psychiatric problems. The story continues thirty years later when champion wrestler, Brock Jones is admitted to the same institution as Williams after suffering a mental breakdown, The two become friends as Williams tries to get Jones back on track and coach him to another victory.
A throwback to the last months of the 20th century in this comedy film.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.