Kickboxing champ Jerry Trimble plays a straight shooting man caught up in the politics of a crooked little town. To get to the truth about his grandfather's death, he must first kick out the criminals --including the sheriff-- effectively putting an end to their illegal smuggling, gambling and prostitution rings. But the worst crime of all turns out to be in his very own backyard.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
It's sexy, regardless of what else is going on.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Overall this movie was an easy watch, but by no means a worthwhile watch.
