The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

What happens in the eyes of a 100-year-old filmmaker? Rolands Kalniņš, one of the great masters of Latvian cinema, sits down to have his photo taken and looks straight in the lens. Kalniņš’ life has spanned an authoritarian regime, a world war, long years under Soviet occupation and censorship, and retirement in independent Latvia. His films have been censored, destroyed, found and restored. But here, like Herz Frank once did with a child, for ten minutes we shall observe the micro-emotions of a man who has dedicated his life to film. Confronted directly by the tool of his trade, the camera. As we face Kalniņš eye to eye, we hear the sounds of his present, and the memories of his past.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
A young girl named Hailey Mays sings a country song that is named after the film's title.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
This holiday movie serves as the prequel to the TV series The Really Loud House.
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.