The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Peppino Impastato is a quick-witted lad growing up in 1970s Sicily. Despite hailing from a family with Mafia ties and living just one hundred steps from the house of local boss Tano Badalamenti, Peppino decides to expose the Mafia by using a pirate radio station to broadcast his political pronouncements in the form of ironic humour.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Rap Sh!t has been confirmed for a second season by HBO! Go watch it and support this creative exploration of Hip-Hop culture from Issa Rae.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
An animated short film that never gets old, especially with iconic characters from the Disney series.