Adolescence Comes to an End in "Caity"
More than a coming-of-age story, Caity is a movie about losing the naivety of childhood before you're ready to.

Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.
More than a coming-of-age story, Caity is a movie about losing the naivety of childhood before you're ready to.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
'Zero Refills' highlights the despicable treatment of the less fortunate by healthcare providers and big pharmaceuticals.