Asha's 'Wish' (2023)
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.

Atze, Lutz and Sulli have no work. Day after day, they idle away their time in a backyard. Atze has been fired from his job as a skilled worker at the hut, Lutz has just completed his apprenticeship and has not been taken on by his company, Sulli, who is Greek, is a foreigner and won't get an apprenticeship anyway. The neighbors are suspicious, their former colleagues mock them, doing nothing is boring and the three of them are fed up with it all. Atze, Lutz and Sulli steal a fully loaded furniture van and drive off. A short test drive turns into an adventure, an escape from reality, a piece of borrowed freedom. But those who run away are followed. The neighbors have always known about it, the police are on the lookout and the overzealous set out to catch the outsiders...
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
If you’re looking for an engaging female-led film that touches on the genres of action, drama, and thriller, look no further than Le-Van Kiet’s "Furie".
Swapped combines comedy, adventure and emotional growth while delivering one of the biggest plot twists in animation history.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.