The film deals with the a clandestine Olympiade held in a German POW camp during WW II, housing many Poles, but also French and Brits. A spit and a Polish German lieutenant is added to the staff of a prison camp. He sees a Pole, the acknowledged leader of the Polish prisoners, against whom he had competed during the Berlin Olympics in 1936. He asks the Pole to train with him but is refused; the Pole points out out that he is a prisoner and nothing more. But that plants the seed and the Pole proposes and Olympics 40 to be held among the prisoners. They ingeniously make a flag and medals, set up a number of races; a croaching hop race is unwittingly organized by a German prison guard who uses it as a torture. The German lieutenant knows that something is going on but cannot find out. Finally the Germans realize the idea and the Polish chief is sent to concentration camp but the others disobey the orders.
Andrzej Kotkowski
Director
Mariusz Benoit
Piotr
Jerzy Bończak
Jacques
Tadeusz Galia
Leon
Krzysztof Janczar
Andrzej
Ryszard Kotys
strażnik Schlappke
Igor Przegrodzki
major Hans von Klabe, komendant obozu
Wojciech Pszoniak
Otto Schultze
Marek Siudym
Jan Mroczek
Bolesław Abart
strażnik Fritz
Aleksander Kalinowski
O'Brian
Leonard Szewczuk
Francis
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.