'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

While the world watches the Olympic Games in Stockholm, the Rascals gather at the flats for their own games. Whether it's the shot put, the hurdles, the pole vault, or the high jump, not much goes right. There's a deep mud hole that catches several of the kids, and someone out there keeps giving them the razzberry. It's young Wheezer hiding out of sight with his dog Punch, but the kids think it's another boy, so every time they hear the Bronx cheer, they chase the innocent lad and give him a thumping.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
For one widowed father and his five kids, an extraordinary gift will change their lives forever.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.
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The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.