
For twelve years, military photographer Oleg Klimov recorded the collapse of the Soviet Union on film. He was present in almost all military and ethnic conflicts in the 90s. His photographs were on the front pages of many Western newspapers, as dumb witnesses of the wars in the former Soviet Union. But Oleg’s career also influenced his personality. After a few quiet years, he suddenly finds a military trauma in himself. Driven by inner longing, he returns to some places where he photographed people during the war: in Nagorno-Karabakh, Abkhazia and Chechnya in order to find those who are depicted in the pictures.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.