Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

Tom Clark, the part owner of a luckless gas station in New York, returns to his place of birth for Old Home Week, posing as the millionaire president of the Amalgamated Oil Co. He is chosen as the orator for the homecoming banquet and given complete financial control over an oil well drilled in the town by Coleman and Barton, a pair of oily swindlers. Tom discovers that the well is a fake and has it connected secretly with the local reservoir. A wire from Tom's partner is intercepted, and Tom is exposed as a fraud. Coleman and Barton are about to leave town when Tom fakes a gusher and quickly sells the well back to the swindlers at a profit. The swindlers realize that they have been outsmarted, and their anger convinces the townspeople that Tom has acted in the best interests of the community. Tom is again the toast of the town, feted by its inhabitants and rewarded with the kisses of his sweetheart.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.