Masaru Aihara plans a mountain climbing trip as a company get-together. There are six participants. The weather was fine and the mood was harmonious, except for Maya Akiyama who had no presence. On the way, Aihara and Chika Kawaguchi engage in a fight under the watchful eyes of the participants. Takahashi witnesses this and is not at peace. He and Chika were having an affair, and Takahashi was in the midst of a divorce because of it. And as if he knew what was going on in Takahashi's mind, the weather collapsed...
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
A family drama is woven with quiet yet powerful forces of words and nature.
