Kate Called the Shots in 'Call Me Kate'
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.

The title draws on Nietzsche’s comment on modernity as an experience of radical relativization in the cosmos: 'Since Copernicus man has been rolling from the centre toward X.' I became less interested in 'X' representing nothing or negativity, and so I made it crooked, with the letter 'K.' Which brought to mind 'being OK' as a state and a goal: we are familiar with oblivion (X), we read about it every day. How to get to 'OK' is a more challenging and interesting problem. There are five em dashes between O and K — a state of abeyance, like living while holding your breath. — Vijay Masharani
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.
“Trust your gut" is one of the most common pieces of advice you’ll receive during your lifetime. And as a person inclined to trust my intuition above all else, it’s the most common advice I find myself giving in real life and in my online socialising. But what happens when your gut is trying to warn you that something is seriously wrong without you being able to identify what triggered it in the first place? How can you act on a feeling or make it go away when you don’t have a clue about what could be wrong? How can you trust your intuition when you don’t know what makes it act out in the first place?
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.