“Young Washington” is Imperialist Propaganda
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.

Playwright Trevor Griffiths' Oi For England, originally set in Moss Side, was first screened by Central TV in April 1982. It was then staged at The Royal Court Theatre Upstairs, directed by the late, then resident director Antonia Bird and featured Paul McGann, Robin Hayter, Dorian Healy, Peter Lovstrom, Paul Moriarty, and Beverley Martin in the cast. The play toured youth clubs and community centres across London in a bid to engage young people in the social and political issues of the day and to unite them against racism and fascism. This film replete with exclusive interviews from Griffiths, musical director Andy Roberts and guests Alan Gilbey (east end writer) and Micky Geggus (Cockney Rejects) looks back at the tour by way of a reunion of the play's original cast and crew almost 30 years later.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
If you want to feel the rush, you have to take the risk.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.