
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
YouTube surpasses Netflix but there is more to the story.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
How do zombie films shine new light in the post-Covid and post-Brexit era?