'Don't Lose Your Head' - MiamisFF Review
'Don't Lose Your Head' follows the motto of "grades aren't everything."

A missed highway exit leads Darry Marzouki, an unemployed magician, to cross paths with Irène Montier Duval, a wealthy woman carrying a Hermès bag full of cash. Out of love, she acted as an intermediary in an arms deal between a French minister and Korea. When the deal was exposed, the minister tried to pin the blame on her. On the run, she offers to pay Darry to drive her to Geneva in his BMW. The problem? The BMW isn’t his—he impulsively stole it from his hot-tempered brother-in-law, who’s out for blood. Unable to accept Irène’s offer, Darry pretends to be an activist heading to a summit in Locarno. Irène, eager for a change, plays along. They have little in common but spend three unforgettable days together—while being chased by Koreans, French intelligence, a minister, and the furious brother-in-law. In the end, one finds love, the other freedom.
'Don't Lose Your Head' follows the motto of "grades aren't everything."
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.