The Lack of Exposition Makes 'Fast Color' a Compelling Narrative on Repressed Personalities
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents

Fred's life takes a tragic turn when he realises that he turns into something inhuman. While her mother wants to hide him from all prying eyes, Fred only thinks about a thing: the sea.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
This anti-love young adult movie includes mature topics and dialogue.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.