Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Of Mice and Men poster

Of Mice and Men (1981)

George and Lenny travel through the Depression-era west working at odd jobs, hoping to make enough money to buy their own farm. George must always watch over his intellectually disabled friend, and keep him out of danger, both to himself and to others. After they take a new job at a ranch, Lenny gets into far more trouble than George can talk his way out of, leaving George to decide whether to help him, or leave him to his fate.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


George and Lenny travel through the Depression-era west working at odd jobs, hoping to make enough money to buy their own farm. George must always watch over his intellectually disabled friend, and keep him out of danger, both to himself and to others. After they take a new job at a ranch, Lenny gets into far more trouble than George can talk his way out of, leaving George to decide whether to help him, or leave him to his fate.

Rating:PG-13
Genre:Drama, TV Movie
Directed By:Reza Badiyi
Written By:Eugene Solow, Eugene Solow
In Theaters:11/29/1981
Box Office:

Runtime:150 minutes
Studio:Metromedia Productions

Articles You May Like


The Show Must Go On In "Don't Say Good Luck"

Sunny Sandler, daughter of Adam Sandler, stars in a new Netflix film directed by Julia Hart, and it has caught the attention of many younger audiences as they watch this heartfelt coming-of-age story. The film's relatability of just being a normal teenage girl also tells a devastating reality that many cannot fathom facing. The storyline showcases a deeper meaning of the classic theatre kid saying, “the show must go on”, and emotionally captures the struggles that happen on and off the stage.

Sarah McAlister

Amazon Prime's Pretty Lethal: Makes No Sense, Is No Fun

I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before. 

Jo Moses