Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

After the premiere, the theatre group gathers in a bar to celebrate. However, the cheerful gathering is interrupted by a drunken Soviet officer. He insists on selling a can of petrol. However, when he senses the awkwardness, the hidden hatred, the cowardice, the timidity of the people there, he begins to enjoy the situation with his intrusiveness. When he takes his pistol out of its holster, things start to get crazy. The people in the bar suddenly become “freedom fighters” against the Russian occupation.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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