When Bruce Sands, a dilettante artist with a history of amorous peccadilloes, discovers that his latest flame Bunny Winston wants to marry him, he seeks refuge at his friend John Woodward's country home, unaware that Woodward has asked Bunny to marry him. Bunny follows the artist to Woodward's estate, where Bruce begins a flirtation with Woodward's daughter Audrey. After Audrey is injured in a fall from a horse, Bruce promises to marry her, thinking that she is on her deathbed. Upon hearing the news, Bunny assumes that Bruce will now be a member of the family and so marries Woodward. When Audrey recovers, the engagement is broken, Bruce returns to town, and Bunny follows. Bruce rejects Bunny and begins his campaign for his next victim, leaving Audrey and her father to console each other.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.
The Season 3 finale overall upholds everything that Incluvie is primarily concerned about when it comes to media content
The film is a powerful narrative encompassing a theme that many people can identify with.
