"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Mi-yeon, an elite woman with a mysterious past, and her husband, Yeong-jeon, a novelist who doesn't know her secret. Mi-yeon is the head of a large corporation. She is a woman who enjoys a free-spirited sex life and is married to a novelist, Yeong-jeon. On the other hand, a married couple, Taeh-yeon and Seo-ra, moved into their neighboring house.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Those perfect Summer or Fall days. The sun is shining, the temperature is JUST right, and you've got nothing else to do. Therefore, isn't it time to get outside and take a nice stroll through the park, or along the shoreline (should you be that fortunate), or even just around the neighborhood? Sure. BUT.....if one lives in the America found in the newest film adaptation of the work from horror author/cultural icon Stephen King.....doing this SHOULD be the LAST thing you hope to find yourself engaged with.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.