
Oblique Strategist Too is a multilayered, tangential portrait of composer Brian Eno, and an evocative essay on the creative process. Eno's perspectives on his music and working methods surface elliptically, through interviews and footage of him in the studio and in lectures. Eno emerges as a meticulous musician, articulate critic, and, ultimately, an inscrutable personality. The tape's title is taken from a set of cards bearing aphorisms, which Eno uses as a random element of advice in his working process. Velez uses intricate audio and video effects to heighten the elusive nature of Eno's music and character. He begins the tape with a quote from Heraclitus: "The nature of things is in the habit of concealing itself" a paradox that eminently suits his subject matter.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.