“Birds of Prey” and the Fantabulous Emancipation from the DCEU
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.

Lisa van Rhyn is an overweight journalist, sent by the Christian magazine she works for to a weight loss group to do a story on true beauty. At the fat camp, she begins to question everything she ever thought she knew about love when she falls for someone with a similar weight problem. Lisa also realises that the scale God weighs people with is more important than physical scales.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
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A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.